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Digital Film Photography

Tachnology is grand.  I'm currently going through my old negatives and reprocessing them in the digital darkroom.  Now, truth be told, the only processing I did in the film days was to drop my rolls off at the local developer and look at them when they came back.

This whole film-scanning technology has opened up a massive doorway.  Enough that I frequently consider switching back to film and scanning in my negatives. 

I just scanned in a photo that has always disappointed me.  I made a photograph of a bridge here in Waco that, for some bizarre reason, had massive levels of grain.  Enough that it was horribly distracting.  I have been working on this one frame for at least an hour tonight and have just gotten off the negative strip.  I haven't processed it at all except to convert it to TIFF.  Here are the original and digitally enhanced copies.

2005-02-07-street-lights-crop

herring-bridge-2

This was done just with the Digital ICE and Digital GEM actions in my CoolScan software.  I still have yet to work out the colors, contrast, and alignment in Lightroom, but I thought I'd share a rough draft.

Scott
Scott Everett